Le Temps restitué for soprano, chorus and orchestra (1956–68).Séquence for voice, percussion and chamber ensemble (1950–55).Concerto for six instrumental groups and two solo instruments (vibraphone and clarinet) (1962–68).Chant après chant for six percussionists, voice and piano (1966).Au delà du hasard ( premier "commentaire" de "Affranchi du hasard" et du "Temps restitué") for four instrumental groups and one vocal group (1958–59) "After the Flood" (1970, from the album The Least We Can Do Is Wave to Each Other) – includes a twelve tone piece arranged by David Jackson.Variations: Aldous Huxley in memoriam (1963–64).The Dove Descending Breaks the Air (1962).A Sermon, a Narrative and a Prayer (1961).Movements for Piano and Orchestra (1958–59).Igor Stravinsky, works from 1952 forward:.Drei Lieder for alto voice and chamber orchestra, Nr.Virtually all published works after 1953 (exceptions include his Mass, and the twelve-tone technique used rarely follows Schoenberg's system).All works from the Intermezzo for eleven instruments, Op. 8 (1946), onwards.Chromatic Study on the Name of Bach, for organ.Variazioni canoniche sulla serie dell’op.Composizione no.1, for orchestra (1951).2 pieces dodecaphoniques, pour piano seul (1945/46). ![]() Zwölftonspiele (approximately one thousand works) (after 1940).All works written after August 1919 (though the twelve-tone technique used is not Schoenberg's system).the article on Symphony No.1 (Op.33, 1958)) either use the twelve-tone technique, or serial techniques with other kinds of rows, or both Film score for The Curse of the Werewolf (1961).Virtually all published works after 1942.Variations for Violin and Piano (1961).Virtually all published works after 1947.2, for soprano, bass, choir and orchestra, op. 1, for soprano, mixed choir and orchestra, op. 28 (1937–38) – the tone row of this piece is based around the BACH motif Das Augenlicht, for mixed choir and orchestra, on a text by Hildegard Jone, op.Three Lieder on texts by Hildegard Jone, for voice and piano, op.Concerto for flute, oboe, clarinet, horn, trumpet, trombone, violin, viola and piano, op.Three Songs on Hildegard Jone's Viae inviae, for voice and piano, op.Quartet for violin, clarinet, tenor saxophone and piano, op.Two Lieder, for mixed choir, celesta, guitar, violin, clarinet and bass clarinet, op.Three Lieder, for voice, E flat clarinet and guitar, op.Concerto for Violin and Orchestra, op. ![]()
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